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Amid a multitude of tragic events, we are experiencing a veritable epidemic of fallen statues. Not that this is any kind of solution to the economic crisis: it is not the monetary value of the building material that makes them fall, but their symbolic value \u2013 or unbearable weight! Decolonisation appears to have reached the bronze, at last.\u00a0<\/span><\/p><p><span style=\\\"font-weight: 400;\\\">Or perhaps this is not the case in Portugal. Listening to speeches by the country\u2019s political representatives, they seem to have missed the discussions that have been going on around the world.<\/span><\/p><p><span style=\\\"font-weight: 400;\\\">Associa\u00e7\u00e3o de Amigos da Pra\u00e7a do Anjo (AAPA), which emerged at the foot of an empty <\/span><span style=\\\"font-weight: 400;\\\">pedestal, enjoys discussing the virtues of gravity. In the end, who falls and who pushes? <\/span><span style=\\\"font-weight: 400;\\\">We considered it urgent to organise a series of talks about the value and significance of <\/span><span style=\\\"font-weight: 400;\\\">public statues.<\/span><\/p><p><span style=\\\"font-weight: 400;\\\">At the two sessions held this year, we discussed the representation of the female body and the removal of statues from the public space in the company of artists Mariana Morais and Kiluanji Kia Henda.<\/span><\/p><p>In 2021, we organised the last session with artist Catarina Sim\u00e3o, focusing on her practise relating african art.<\/p>\",\r\n          \"align\": \"middle\",\r\n          \"row\": -1,\r\n          \"col\": 0,\r\n          \"colspan\": 6,\r\n          \"offsetx\": 0,\r\n          \"offsety\": 0,\r\n          \"spaceabove\": 0,\r\n          \"spacebelow\": 0,\r\n          \"yvel\": 1,\r\n          \"push\": 0,\r\n          \"relid\": 4\r\n        }\r\n      ],\r\n      \"align\": \"top\",\r\n      \"row\": 0,\r\n      \"col\": 6,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 6\r\n    },\r\n    {\r\n      \"type\": \"video\",\r\n      \"cont\": \"https:\/\/i.ytimg.com\/vi\/UnaRcLn8560\/hqdefault.jpg\",\r\n      \"align\": \"top\",\r\n      \"row\": 1,\r\n      \"col\": 0,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 8,\r\n      \"iframe\": \"<iframe width=\\\"200\\\" height=\\\"113\\\" src=\\\"\/\/www.youtube.com\/embed\/UnaRcLn8560?enablejsapi=1&wmode=transparent&autohide=1&iv_load_policy=3&modestbranding=1&rel=0&showinfo=0&showsearch=0?&theme=light&color=white\\\" frameborder=\\\"0\\\" allowfullscreen><\/iframe>\",\r\n      \"url\": \"https:\/\/youtu.be\/UnaRcLn8560\",\r\n      \"w\": 200,\r\n      \"h\": 113,\r\n      \"ar\": 0.565\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p><span style=\\\"font-weight: 400;\\\">Mariana Morais presented her project Headless Women and Other Events: Tours for the <\/span><span style=\\\"font-weight: 400;\\\">Public Art in Porto, which explores the brainless sculptures that inhabit our city, questioning not only their presence but also the role of the women that they are supposed to represent. Headless characters?<\/span><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 1,\r\n      \"col\": 6,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 11\r\n    },\r\n    {\r\n      \"type\": \"video\",\r\n      \"cont\": \"https:\/\/i.ytimg.com\/vi\/VZHIgsdutI8\/hqdefault.jpg\",\r\n      \"align\": \"middle\",\r\n      \"row\": 2,\r\n      \"col\": 0,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 10,\r\n      \"iframe\": \"<iframe width=\\\"200\\\" height=\\\"113\\\" src=\\\"\/\/www.youtube.com\/embed\/VZHIgsdutI8?enablejsapi=1&wmode=transparent&autohide=1&iv_load_policy=3&modestbranding=1&rel=0&showinfo=0&showsearch=0?&theme=light&color=white\\\" frameborder=\\\"0\\\" allowfullscreen><\/iframe>\",\r\n      \"url\": \"https:\/\/youtu.be\/VZHIgsdutI8\",\r\n      \"w\": 200,\r\n      \"h\": 113,\r\n      \"ar\": 0.565\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p><span style=\\\"font-weight: 400;\\\">Kiluanji Kia Henda addressed the removal of statues from the public space \u2013 that long-<\/span><span style=\\\"font-weight: 400;\\\">standing, global phenomenon that challenges the old totems of the ancient powers \u2013 <\/span><span style=\\\"font-weight: 400;\\\">through his artistic practice.<\/span><\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 2,\r\n      \"col\": 6,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 5,\r\n      \"frameOverflow\": \"\"\r\n    },\r\n    {\r\n      \"type\": \"video\",\r\n      \"cont\": \"https:\/\/i.ytimg.com\/vi\/JTHxK2xVx1Q\/hqdefault.jpg\",\r\n      \"align\": \"top\",\r\n      \"row\": 3,\r\n      \"col\": 0,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 13,\r\n      \"iframe\": \"<iframe width=\\\"200\\\" height=\\\"113\\\" src=\\\"\/\/www.youtube.com\/embed\/JTHxK2xVx1Q?enablejsapi=1&wmode=transparent&autohide=1&iv_load_policy=3&modestbranding=1&rel=0&showinfo=0&showsearch=0?&theme=light&color=white\\\" frameborder=\\\"0\\\" allowfullscreen><\/iframe>\",\r\n      \"url\": \"https:\/\/youtu.be\/JTHxK2xVx1Q\",\r\n      \"w\": 200,\r\n      \"h\": 113,\r\n      \"ar\": 0.565\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p>Catarina Sim\u00e3o commented excerpts of the film \\\"Statues also die\\\" (1953) and talked about her artistic practise, that has been focused on the construction of a new independent country, Mozambique.\u00a0<\/p>\",\r\n      \"align\": \"top\",\r\n      \"row\": 3,\r\n      \"col\": 6,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 12\r\n    },\r\n    {\r\n      \"type\": \"video\",\r\n      \"cont\": \"https:\/\/i.ytimg.com\/vi\/a6VaaHhOqu0\/hqdefault.jpg\",\r\n      \"align\": \"top\",\r\n      \"row\": 4,\r\n      \"col\": 0,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 9,\r\n      \"iframe\": \"<iframe width=\\\"200\\\" height=\\\"113\\\" src=\\\"\/\/www.youtube.com\/embed\/a6VaaHhOqu0?enablejsapi=1&wmode=transparent&autohide=1&iv_load_policy=3&modestbranding=1&rel=0&showinfo=0&showsearch=0?&theme=light&color=white\\\" frameborder=\\\"0\\\" allowfullscreen><\/iframe>\",\r\n      \"url\": \"https:\/\/youtu.be\/a6VaaHhOqu0\",\r\n      \"w\": 200,\r\n      \"h\": 113,\r\n      \"ar\": 0.565\r\n    },\r\n    {\r\n      \"type\": \"text\",\r\n      \"cont\": \"<p><span style=\\\"font-weight: 400;\\\">What is the role of art in the public space? In the end, who decapitates and who is decapitated? Who demolishes and who is demolished?<\/span><\/p><p><span style=\\\"font-weight: 400;\\\">Associa\u00e7\u00e3o de Amigos da Pra\u00e7a do Anjo was founded in January 2007 following the theft of the sculpture A Anja by Jos\u00e9 Rodrigues from Pra\u00e7a de Lisboa. Since then, the association has promoted debate surrounding the growing privatisation of the public space through a variety of activities, including guided tours, memorial stones, public petitions, performances and commemorative dinners.<\/span><\/p><p><span style=\\\"font-weight: 400;\\\">V\u00eddeo and editing:<\/span><span style=\\\"font-weight: 400;\\\"><br \/><\/span><span style=\\\"font-weight: 400;\\\">Miguel F<\/span><\/p>\",\r\n      \"align\": \"bottom\",\r\n      \"row\": 4,\r\n      \"col\": 6,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 7\r\n    },\r\n    {\r\n      \"type\": \"video\",\r\n      \"cont\": \"https:\/\/i.ytimg.com\/vi\/mEKpxYpTV4E\/hqdefault.jpg\",\r\n      \"align\": \"middle\",\r\n      \"row\": 5,\r\n      \"col\": 0,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 220,\r\n      \"iframe\": \"<iframe width=\\\"200\\\" height=\\\"113\\\" src=\\\"\/\/www.youtube.com\/embed\/mEKpxYpTV4E?enablejsapi=1&wmode=transparent&autohide=1&iv_load_policy=3&modestbranding=1&rel=0&showinfo=0&showsearch=0?&theme=light&color=white\\\" frameborder=\\\"0\\\" allowfullscreen><\/iframe>\",\r\n      \"url\": \"https:\/\/youtu.be\/mEKpxYpTV4E\",\r\n      \"w\": 200,\r\n      \"h\": 113,\r\n      \"ar\": 0.565\r\n    }\r\n  ]\r\n}","phonegrid":"","_links":{"self":[{"href":"https:\/\/oinstituto.pt\/en\/wp-json\/wp\/v2\/posts\/520","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/oinstituto.pt\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/oinstituto.pt\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/oinstituto.pt\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/oinstituto.pt\/en\/wp-json\/wp\/v2\/comments?post=520"}],"version-history":[{"count":0,"href":"https:\/\/oinstituto.pt\/en\/wp-json\/wp\/v2\/posts\/520\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/oinstituto.pt\/en\/wp-json\/wp\/v2\/media\/527"}],"wp:attachment":[{"href":"https:\/\/oinstituto.pt\/en\/wp-json\/wp\/v2\/media?parent=520"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/oinstituto.pt\/en\/wp-json\/wp\/v2\/categories?post=520"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/oinstituto.pt\/en\/wp-json\/wp\/v2\/tags?post=520"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}