{"id":562,"date":"2021-07-01T11:42:07","date_gmt":"2020-06-15T12:49:57","guid":{"rendered":"http:\/\/oinstituto.pt\/pt\/?p=562"},"modified":"2025-10-08T16:10:06","modified_gmt":"2025-10-08T16:10:06","slug":"kino-yetu","status":"publish","type":"post","link":"https:\/\/oinstituto.pt\/en\/kino-yetu\/","title":{"rendered":"KinoYetu"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":570,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[29,8,5],"tags":[],"class_list":["post-562","post","type-post","status-publish","has-post-thumbnail","hentry","category-anuario21","category-talks","category-programme"],"grid":"{\r\n \"colCount\": 12,\r\n \"colGutter\": 2,\r\n \"rowGutters\": [],\r\n \"frameMargin\": 2,\r\n \"topFrameMargin\": 17,\r\n \"bottomFrameMargin\": 2,\r\n \"rowAttrs\": [\r\n {}\r\n ],\r\n \"bgColor\": null,\r\n \"cont\": [\r\n {\r\n \"type\": 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KinoYetu presents: <\/span>
<\/span>Post-colonial Film Series<\/span>
<\/span>12 - 22.05.2021<\/span><\/p>

Curator:<\/span>
<\/span>Ana Cristina Pereira<\/span><\/p>

Co-organiser:<\/span>
<\/span>KinoYetu<\/span><\/p>

The films that were selected for this small series, fulfil two criteria. The first relates to the will to show aspects of african cultures that are rarely made visible by the news broadcasted in the media. Each film, in its way, reveals artists and their art, but also the way they organize creation, circulation and consumption of the produced pieces. The selection responds in a very particular way to the designation \u201cpost-colonial\u201d that was proposed by KinoYetu Association, who aims to foster creation, production and dissemination of african films. The group of works presented here is constituted as post-colonial, not only because it reveals facets of society that were colonized and that preserve traces of that colonization, but mainly because it contains and surpasses the relationship between identity and otherness born during colonialism.<\/span><\/p>

In this series, we will watch: \u201cAlma ta Fika\u201d by a portuguese director that is quoted 30 years later in \u201cKm\u00ea Deus\u201d, a film by a cape-verdean; then, \u201cM\u00e3os de Barro\u201d [Hands of Clay] by a brasilian director based in Mozambique since mid 70s; and finnaly \u201cLuanda, a F\u00e1brica da M\u00fasica\u201d [Luanda, the Factory of Music], a piece by a portuguese director and an angolan director.<\/span><\/p>

Programme<\/span><\/p>

12 May \u2013 Cape Verde<\/span>
<\/span>with Ana Cristina Pereira and Jo\u00e3o Sodr\u00e9<\/span>
<\/span>- Alma ta Fika (1989) by Jo\u00e3o Sodr\u00e9, 60\u2019. RTP, Vermedia, RTBF, Euroceation, Saga Filme, Cinefilme. Documentary<\/span>
<\/span>- Km\u00ea Deus (2020) Nuno Miranda, 53\u2019. Pedro Soul\u00e9. Documentary<\/span><\/p>

17 May \u2013 Mozambique<\/span>
<\/span>with Ana Cristina Pereira<\/span>
<\/span>- M\u00e3os de Barro, (2006) by Licinio Azevedo, 47\u2019. Lx Filmes, \u00c9bano Multim\u00e9dia. Document\u00e1rio.<\/span><\/p>

22 May \u2013 Angola<\/span>
<\/span>with Ana Cristina Pereira<\/span>
<\/span>- Luanda, a F\u00e1brica da M\u00fasica, (2009) by In\u00eas Gon\u00e7alves e Kiluanje Liberdade, 54\u2019. No Land Films. Documentary<\/span><\/p>

Support:<\/span>
<\/span>\u00c1gora - Cultura e Desporto, E.M.<\/span><\/p>

Photos:<\/span>
<\/span>INSTITUTO<\/span><\/p>\",\r\n \"align\": \"middle\",\r\n \"row\": -1,\r\n \"col\": 0,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 4\r\n }\r\n ],\r\n \"align\": \"top\",\r\n \"row\": 0,\r\n \"col\": 6,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 6\r\n }\r\n ]\r\n}","phonegrid":"","_links":{"self":[{"href":"https:\/\/oinstituto.pt\/en\/wp-json\/wp\/v2\/posts\/562","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/oinstituto.pt\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/oinstituto.pt\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/oinstituto.pt\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/oinstituto.pt\/en\/wp-json\/wp\/v2\/comments?post=562"}],"version-history":[{"count":0,"href":"https:\/\/oinstituto.pt\/en\/wp-json\/wp\/v2\/posts\/562\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/oinstituto.pt\/en\/wp-json\/wp\/v2\/media\/570"}],"wp:attachment":[{"href":"https:\/\/oinstituto.pt\/en\/wp-json\/wp\/v2\/media?parent=562"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/oinstituto.pt\/en\/wp-json\/wp\/v2\/categories?post=562"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/oinstituto.pt\/en\/wp-json\/wp\/v2\/tags?post=562"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}