Productive Landscapes
29.05 \u2013 03.06.2022<\/p>
\u00a0<\/p>
Productive Landscapes focuses on the impact of industrial agriculture in Southeast Portugal.
Dwelling on its consequences to land usage, from environmental impact to migration patterns, TU
BRNO\u2019s students conducted a research documentary project, filmed on location as a means of
establishing their project\u2019s hypothesis. Based on the conclusions of this research, design
proposals are developed and presented in the form of a short animated movie.<\/p>
Southeast Portugal was chosen as a location where industrial agriculture is in current conflict
with its surrounding. Despite being a natural park, the region\u2019s protection laws do not prevent
agro-industrial corporations from taking over the landscape, transforming hectares of natural
scenery into a vast sea of plastic greenhouses. With them come diverse new factors that need to
be taken into consideration - land usage, environment, production, technology, and social
implications.<\/p>
Productive landscape typologies have emerged and evolved without the presence of architects,
which leads to the following questions: Do they need to be contextualized and adapted to the
urban environment? What impacts do they have on an urban network? Could they allow
re-interpretations? What role do architects or\/and urban planners could imply in those specific
typologies?<\/p>
STUDENTS:
Dominika Kastellov\u00e1
Eliska Valov\u00e1
Ian Antonio Mercado Luna
Jan Bilek
Julie Bonnans
Leana Terkawi
Marie Krizkov\u00e1
Pavlina Gun\u00e1rov\u00e1
Rosita Mircheva
Sa\u0161a Smolej
Tereza Proch\u00e1zkov\u00e1
Vendula Vaskov\u00e1
Veronika Mikulova
Viliam Sebora<\/p>
INSTRUCTORS
Locument (Francisco Lobo, Romea Mury\u0144)<\/p>
SUPPORT:
Faculty of Architecture at the BRNO UNIVERSITY OF TECHNOLOGY
INSTITUTO<\/p>
Photography: Gisele Cupolillo<\/p>\",\r\n \"align\": \"middle\",\r\n \"row\": -1,\r\n \"col\": 0,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 4\r\n }\r\n ],\r\n \"align\": \"top\",\r\n \"row\": 0,\r\n \"col\": 6,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 6\r\n }\r\n ]\r\n}","phonegrid":"","_links":{"self":[{"href":"https:\/\/oinstituto.pt\/en\/wp-json\/wp\/v2\/posts\/924","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/oinstituto.pt\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/oinstituto.pt\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/oinstituto.pt\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/oinstituto.pt\/en\/wp-json\/wp\/v2\/comments?post=924"}],"version-history":[{"count":0,"href":"https:\/\/oinstituto.pt\/en\/wp-json\/wp\/v2\/posts\/924\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/oinstituto.pt\/en\/wp-json\/wp\/v2\/media\/917"}],"wp:attachment":[{"href":"https:\/\/oinstituto.pt\/en\/wp-json\/wp\/v2\/media?parent=924"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/oinstituto.pt\/en\/wp-json\/wp\/v2\/categories?post=924"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/oinstituto.pt\/en\/wp-json\/wp\/v2\/tags?post=924"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}