{"id":413,"date":"2020-09-11T12:56:07","date_gmt":"2020-09-11T12:56:07","guid":{"rendered":"http:\/\/oinstituto.pt\/pt\/?page_id=413"},"modified":"2026-02-26T16:50:59","modified_gmt":"2026-02-26T16:50:59","slug":"publicacoes","status":"publish","type":"page","link":"https:\/\/oinstituto.pt\/pt\/publicacoes\/","title":{"rendered":"Publica\u00e7\u00f5es"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"class_list":["post-413","page","type-page","status-publish","hentry"],"grid":"{\r\n \"colCount\": 12,\r\n \"colGutter\": 2,\r\n \"rowGutters\": [\r\n 2,\r\n 2,\r\n 2,\r\n 2,\r\n 2,\r\n 2,\r\n 2,\r\n 2,\r\n 2,\r\n 2,\r\n 2,\r\n 2,\r\n 2,\r\n 2,\r\n 2,\r\n 2,\r\n 2,\r\n 2,\r\n 2,\r\n 2,\r\n 2,\r\n 2,\r\n 2,\r\n 2,\r\n 2,\r\n 2,\r\n 2,\r\n 2,\r\n 2,\r\n 2,\r\n 2,\r\n 2,\r\n 2,\r\n 2,\r\n 2,\r\n 2,\r\n 2,\r\n 10\r\n ],\r\n \"frameMargin\": 2,\r\n \"topFrameMargin\": 17,\r\n \"bottomFrameMargin\": 2,\r\n \"rowAttrs\": [\r\n {},\r\n {},\r\n {},\r\n {},\r\n {},\r\n {},\r\n {},\r\n {},\r\n {},\r\n {},\r\n {},\r\n {},\r\n {},\r\n {},\r\n {},\r\n {},\r\n {},\r\n {},\r\n {},\r\n {},\r\n {},\r\n {},\r\n {},\r\n {},\r\n {},\r\n {},\r\n {},\r\n {},\r\n {},\r\n {},\r\n {},\r\n {},\r\n {},\r\n {},\r\n {},\r\n {},\r\n {},\r\n {},\r\n {}\r\n ],\r\n \"bgColor\": \"#000000\",\r\n \"cont\": [\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

APRENDER A DESAPRENDER:
<\/span> DIALOGOS PARA A DESCOLONIZA\u00c7\u00c3O DA ARQUITETURA<\/span><\/strong><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 0,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 24\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"http:\/\/oinstituto.pt\/wp-content\/uploads\/2025\/10\/EA43_Aprender_Cover_draft.jpg\",\r\n \"align\": \"top\",\r\n \"row\": 1,\r\n \"col\": 0,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 419,\r\n \"attid\": 1742,\r\n \"sizes\": {\r\n \"full\": \"http:\/\/oinstituto.pt\/wp-content\/uploads\/2025\/10\/EA43_Aprender_Cover_draft.jpg\",\r\n \"_2560\": \"http:\/\/oinstituto.pt\/wp-content\/uploads\/2025\/10\/EA43_Aprender_Cover_draft-2560x3151.jpg\",\r\n \"_1920\": \"http:\/\/oinstituto.pt\/wp-content\/uploads\/2025\/10\/EA43_Aprender_Cover_draft-1920x2363.jpg\",\r\n \"_1280\": \"http:\/\/oinstituto.pt\/wp-content\/uploads\/2025\/10\/EA43_Aprender_Cover_draft-1280x1575.jpg\",\r\n \"_1024\": \"http:\/\/oinstituto.pt\/wp-content\/uploads\/2025\/10\/EA43_Aprender_Cover_draft-1024x1260.jpg\",\r\n \"_768\": \"http:\/\/oinstituto.pt\/wp-content\/uploads\/2025\/10\/EA43_Aprender_Cover_draft-768x945.jpg\",\r\n \"_512\": \"http:\/\/oinstituto.pt\/wp-content\/uploads\/2025\/10\/EA43_Aprender_Cover_draft-512x630.jpg\",\r\n \"_265\": \"http:\/\/oinstituto.pt\/wp-content\/uploads\/2025\/10\/EA43_Aprender_Cover_draft-265x326.jpg\"\r\n },\r\n \"w\": 2982,\r\n \"h\": 3670,\r\n \"ar\": 1.2307176391683434,\r\n \"alt\": \"\",\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Este livro nasceu da inten\u00e7\u00e3o de especular sobre poss\u00edveis respostas a algumas perguntas: Como pode o campo disciplinar da arquitetura oferecer abordagens para a descoloniza\u00e7\u00e3o do presente? Que m\u00e9todos podemos empregar para posicionar a arquitetura dentro do debate sobre descoloniza\u00e7\u00e3o? E, pensando numa pedagogia transformadora, como podemos reimaginar as institui\u00e7\u00f5es ligadas \u00e0 arquitetura e os seus modos de atua\u00e7\u00e3o?
Os di\u00e1logos sobre a descoloniza\u00e7\u00e3o da arquitetura reunidos neste livro abordam o tema atrav\u00e9s de pr\u00e1ticas e a\u00e7\u00f5es concretas. Entre as quest\u00f5es discutidas por arquitetos, artistas, cr\u00edticos, autores e pensadores, destacam-se v\u00e1rias: o papel das di\u00e1sporas na hist\u00f3ria, procurando reescrever narrativas emancipat\u00f3rias sobre a rela\u00e7\u00e3o entre colonizado e colonizador; as escalas de a\u00e7\u00e3o nas pr\u00e1ticas espaciais; hist\u00f3rias pessoais; e reflex\u00f5es pedag\u00f3gicas.
Estas contribui\u00e7\u00f5es desafiam abertamente os legados coloniais, assim como as dificuldades e riscos inerentes a esse desafio. O objetivo \u00e9 ampliar o campo da arquitetura como disciplina, mesmo quando n\u00e3o h\u00e1 certezas nem converg\u00eancia de ideias quanto \u00e0s suas ferramentas. O caminho n\u00e3o \u00e9 linear, mas olhar \u201cao contr\u00e1rio\u201d e romper com os discursos dominantes pode ser um ponto de partida potente.<\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 1,\r\n \"col\": 6,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 29\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Editora: Dafne Editora \/ INSTITUTO<\/span>
Cole\u00e7\u00e3o: Equa\u00e7\u00f5es de Arquitectura, n.\u00ba 50<\/span>
Editor: Paulo Moreira<\/span>
Colaboradores: Paulo Moreira, Ibiye Camp, Margarida Waco, Lu\u00edsa Santos, M\u00f3nica de Miranda, Banga Colectivo, Cartografia Negra, Natache Sylvia Iilonga, Tha\u00eds Andrade, Gabriela Leandro Pereira, Lara I.C. Ferreira, Anyibofu Nwoko Ugbodaga, Demas Nwoko<\/span>
Design: Manuel Granja<\/span>
Extens\u00e3o: 156 p\u00e1ginas<\/span>
Dimens\u00f5es: 15,0 \u00d7 22,5 cm<\/span>
Data de publica\u00e7\u00e3o: 2024<\/span>
Dep\u00f3sito Legal: 533090\/24<\/span>
ISBN: 978-989-8217-63-9<\/span>
Pr\u00e9mio: Pr\u00e9mio FAD de Pensamento e Cr\u00edtica, Barcelona, junho de 2025<\/span>

\u201cO j\u00fari valoriza especialmente o grau de experimenta\u00e7\u00e3o institucional do Instituto, sem o qual n\u00e3o seria poss\u00edvel compreender o car\u00e1ter m\u00faltiplo da publica\u00e7\u00e3o; bem como o cuidado e a abertura discursiva com que aborda um tema t\u00e3o complexo quanto necess\u00e1rio.\u201d<\/span>
FAD Prize for Thought & Criticism jury statement, 2025<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 2,\r\n \"col\": 0,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 420,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"html\",\r\n \"cont\": \"

\\r\\n \\r\\n \\r\\n \\r\\n
LEARNING TO UNLEARN:DIALOGUES ON THE DECOLONIZATION OF ARCHITECTURE<\/td><\/tr>
\\r\\n \\r\\n \\\"\\\"\\r\\n <\/form>\",\r\n \"align\": \"bottom\",\r\n \"row\": 3,\r\n \"col\": 0,\r\n \"colspan\": 3,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 31\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

VENDA<\/strong><\/p>

Aprender a Desaprender: dialogos para a decoloniza\u00e7\u00e3o da arquitetura<\/p>

World 20\u20ac
PAYPAL<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 4,\r\n \"col\": 0,\r\n \"colspan\": 3,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 421,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

IBAN: PT50 0035 0196 00029745 530 14
BIC\/SWIFT: CGDIPTPL<\/span><\/p>

MB WAY
+351 936 677 636<\/span><\/p>

Enviar comprovativo e morada para: info@oinstituto.pt<\/a><\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 4,\r\n \"col\": 7,\r\n \"colspan\": 5,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 4,\r\n \"relid\": 422,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

AS TORRES E OS BOSQUES:
ESCOMBROS DE UMA CIDADE FORDISTA
DE JI\u00d4N KIIM<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 6,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 21,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"http:\/\/oinstituto.pt\/wp-content\/uploads\/2023\/04\/AsTorresEOsBosques1.jpg\",\r\n \"align\": \"top\",\r\n \"row\": 7,\r\n \"col\": 0,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 3946,\r\n \"attid\": 1011,\r\n \"sizes\": {\r\n \"full\": \"http:\/\/oinstituto.pt\/wp-content\/uploads\/2023\/04\/AsTorresEOsBosques1.jpg\",\r\n \"_1024\": \"http:\/\/oinstituto.pt\/wp-content\/uploads\/2023\/04\/AsTorresEOsBosques1-1024x682.jpg\",\r\n \"_768\": \"http:\/\/oinstituto.pt\/wp-content\/uploads\/2023\/04\/AsTorresEOsBosques1-768x512.jpg\",\r\n \"_512\": \"http:\/\/oinstituto.pt\/wp-content\/uploads\/2023\/04\/AsTorresEOsBosques1-512x341.jpg\",\r\n \"_265\": \"http:\/\/oinstituto.pt\/wp-content\/uploads\/2023\/04\/AsTorresEOsBosques1-265x177.jpg\"\r\n },\r\n \"w\": 1280,\r\n \"h\": 853,\r\n \"ar\": 0.66640625,\r\n \"alt\": \"\",\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

As Torres e os Bosques: Escombros da Cidade Fordista foca-se nos resqu\u00edcios de uma cidade fordista. Ji\u00f4n Kiim tem vindo a realizar pesquisas fotogr\u00e1ficas em ru\u00ednas industriais do Grande Porto em busca da temporalidade espec\u00edfica desse abandono, e da suspens\u00e3o dos ritmos fren\u00e9ticos contempor\u00e2neos. Este livro \u00e9 o resultado de uma nova metodologia, onde Jion Kim abandonou o mapa que a costumava guiar e vagou pela cidade, seguindo as pistas que apareceram no c\u00e9u. A artista encontrou justaposi\u00e7\u00f5es curiosas de torres imponentes sobre fundos contrastantes. Chamin\u00e9s industriais de tijolo, que s\u00e3o o que resta de muitas das antigas f\u00e1bricas do s\u00e9c. XIX\/XX \u2013 descontextualizadas no meio de edif\u00edcios que entretanto surgiram; e os bosques que se formam nas ru\u00ednas baldias, em que a vegeta\u00e7\u00e3o cresce de forma selvagem, e que s\u00e3o habitat param formas de vida particulares. O livro \u00e9 concebido por Ji\u00f4n Kiim, coordenado por Jo\u00e3o Pedro Amorim, e inclui textos de ambos os autores.<\/p>

\u00a0<\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 7,\r\n \"col\": 6,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 577\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"http:\/\/oinstituto.pt\/wp-content\/uploads\/2023\/04\/AsTorresEOsBosques3.jpg\",\r\n \"align\": \"top\",\r\n \"row\": 8,\r\n \"col\": 0,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 565,\r\n \"attid\": 1013,\r\n \"sizes\": {\r\n \"full\": \"http:\/\/oinstituto.pt\/wp-content\/uploads\/2023\/04\/AsTorresEOsBosques3.jpg\",\r\n \"_1024\": \"http:\/\/oinstituto.pt\/wp-content\/uploads\/2023\/04\/AsTorresEOsBosques3-1024x683.jpg\",\r\n \"_768\": \"http:\/\/oinstituto.pt\/wp-content\/uploads\/2023\/04\/AsTorresEOsBosques3-768x512.jpg\",\r\n \"_512\": \"http:\/\/oinstituto.pt\/wp-content\/uploads\/2023\/04\/AsTorresEOsBosques3-512x341.jpg\",\r\n \"_265\": \"http:\/\/oinstituto.pt\/wp-content\/uploads\/2023\/04\/AsTorresEOsBosques3-265x177.jpg\"\r\n },\r\n \"w\": 1200,\r\n \"h\": 800,\r\n \"ar\": 0.6666666666666666,\r\n \"alt\": \"\",\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"http:\/\/oinstituto.pt\/wp-content\/uploads\/2023\/04\/AsTorresEOsBosques2.jpg\",\r\n \"align\": \"top\",\r\n \"row\": 8,\r\n \"col\": 6,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 792,\r\n \"attid\": 1012,\r\n \"sizes\": {\r\n \"full\": \"http:\/\/oinstituto.pt\/wp-content\/uploads\/2023\/04\/AsTorresEOsBosques2.jpg\",\r\n \"_1024\": \"http:\/\/oinstituto.pt\/wp-content\/uploads\/2023\/04\/AsTorresEOsBosques2-1024x683.jpg\",\r\n \"_768\": \"http:\/\/oinstituto.pt\/wp-content\/uploads\/2023\/04\/AsTorresEOsBosques2-768x512.jpg\",\r\n \"_512\": \"http:\/\/oinstituto.pt\/wp-content\/uploads\/2023\/04\/AsTorresEOsBosques2-512x341.jpg\",\r\n \"_265\": \"http:\/\/oinstituto.pt\/wp-content\/uploads\/2023\/04\/AsTorresEOsBosques2-265x177.jpg\"\r\n },\r\n \"w\": 1200,\r\n \"h\": 800,\r\n \"ar\": 0.6666666666666666,\r\n \"alt\": \"\",\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"http:\/\/oinstituto.pt\/wp-content\/uploads\/2023\/04\/AsTorresEOsBosques4.jpg\",\r\n \"align\": \"top\",\r\n \"row\": 9,\r\n \"col\": 0,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 1546,\r\n \"attid\": 1014,\r\n \"sizes\": {\r\n \"full\": \"http:\/\/oinstituto.pt\/wp-content\/uploads\/2023\/04\/AsTorresEOsBosques4.jpg\",\r\n \"_1024\": \"http:\/\/oinstituto.pt\/wp-content\/uploads\/2023\/04\/AsTorresEOsBosques4-1024x683.jpg\",\r\n \"_768\": \"http:\/\/oinstituto.pt\/wp-content\/uploads\/2023\/04\/AsTorresEOsBosques4-768x512.jpg\",\r\n \"_512\": \"http:\/\/oinstituto.pt\/wp-content\/uploads\/2023\/04\/AsTorresEOsBosques4-512x341.jpg\",\r\n \"_265\": \"http:\/\/oinstituto.pt\/wp-content\/uploads\/2023\/04\/AsTorresEOsBosques4-265x177.jpg\"\r\n },\r\n \"w\": 1200,\r\n \"h\": 800,\r\n \"ar\": 0.6666666666666666,\r\n \"alt\": \"\",\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"http:\/\/oinstituto.pt\/wp-content\/uploads\/2023\/04\/AsTorresEOsBosques5.jpg\",\r\n \"align\": \"top\",\r\n \"row\": 9,\r\n \"col\": 6,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 1547,\r\n \"attid\": 1015,\r\n \"sizes\": {\r\n \"full\": \"http:\/\/oinstituto.pt\/wp-content\/uploads\/2023\/04\/AsTorresEOsBosques5.jpg\",\r\n \"_1024\": \"http:\/\/oinstituto.pt\/wp-content\/uploads\/2023\/04\/AsTorresEOsBosques5-1024x683.jpg\",\r\n \"_768\": \"http:\/\/oinstituto.pt\/wp-content\/uploads\/2023\/04\/AsTorresEOsBosques5-768x512.jpg\",\r\n \"_512\": \"http:\/\/oinstituto.pt\/wp-content\/uploads\/2023\/04\/AsTorresEOsBosques5-512x341.jpg\",\r\n \"_265\": \"http:\/\/oinstituto.pt\/wp-content\/uploads\/2023\/04\/AsTorresEOsBosques5-265x177.jpg\"\r\n },\r\n \"w\": 1200,\r\n \"h\": 800,\r\n \"ar\": 0.6666666666666666,\r\n \"alt\": \"\",\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

VENDA
Um exemplar As Torres e os Bosques<\/p>

Portugal 15\u20ac\u00a0
Europa 19\u20ac\u00a0
World 23\u20ac
(portes gr\u00e1tis)<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 10,\r\n \"col\": 0,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 23\r\n },\r\n {\r\n \"type\": \"stack\",\r\n \"cont\": [\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Paypal<\/p>\",\r\n \"align\": \"top\",\r\n \"row\": -1,\r\n \"col\": 0,\r\n \"colspan\": 3,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 2,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 27\r\n },\r\n {\r\n \"type\": \"html\",\r\n \"cont\": \"\\r\\n \\r\\n \\r\\n \\r\\n
As Torres e os Bosques<\/td><\/tr>
\\r\\n \\r\\n \\\"\\\"\\r\\n <\/form>\",\r\n \"align\": \"middle\",\r\n \"row\": -1,\r\n \"col\": 0,\r\n \"colspan\": 3,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 26\r\n }\r\n ],\r\n \"align\": \"top\",\r\n \"row\": 11,\r\n \"col\": 0,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 25,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Transfer\u00eancia
IBAN: PT50 0035 0196 00029745 530 14
BIC\/SWIFT: CGDIPTPL<\/span><\/p>

MB WAY
+351 936 677 636<\/span><\/p>

Enviar comprovativo e morada para: info@oinstituto.pt<\/a><\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 11,\r\n \"col\": 6,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 28,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

ANU\u00c1RIO<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 13,\r\n \"col\": 2,\r\n \"colspan\": 7,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 2,\r\n \"relid\": 11\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"http:\/\/oinstituto.pt\/wp-content\/uploads\/2023\/08\/anuario22_gif.gif\",\r\n \"align\": \"top\",\r\n \"row\": 14,\r\n \"col\": 0,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 391,\r\n \"attid\": 1195,\r\n \"sizes\": {\r\n \"full\": \"http:\/\/oinstituto.pt\/wp-content\/uploads\/2023\/08\/anuario22_gif.gif\",\r\n \"_512\": \"http:\/\/oinstituto.pt\/wp-content\/uploads\/2023\/08\/anuario22_gif-512x341.gif\",\r\n \"_265\": \"http:\/\/oinstituto.pt\/wp-content\/uploads\/2023\/08\/anuario22_gif-265x177.gif\"\r\n },\r\n \"w\": 600,\r\n \"h\": 400,\r\n \"ar\": 0.6666666666666666,\r\n \"alt\": \"\",\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

O Anu\u00e1rio\u201922 \u00e9 parte da cole\u00e7\u00e3o que tem sido editada anualmente pelo INSTITUTO, reunindo os momentos mais marcantes do programa, com car\u00e1ter de registo e reflex\u00e3o, apresentando uma sele\u00e7\u00e3o de contributos de autores de diversas \u00e1reas. Este ano optamos por um formato digital de publica\u00e7\u00e3o de forma a ampliarmos o alcance e disponibilizarmos os conte\u00fados de forma gratuita a todos os interessados. Aceder ao Anu\u00e1rio\u201922 aqui<\/a>.<\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 14,\r\n \"col\": 6,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 5\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

SAIR, DOCUMENTAR, APROXIMAR<\/strong><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 16,\r\n \"col\": 2,\r\n \"colspan\": 8,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 2,\r\n \"relid\": 34,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"http:\/\/oinstituto.pt\/wp-content\/uploads\/2022\/07\/Anuario21-website.jpg\",\r\n \"align\": \"top\",\r\n \"row\": 17,\r\n \"col\": 0,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 2633,\r\n \"attid\": 956,\r\n \"sizes\": {\r\n \"full\": \"http:\/\/oinstituto.pt\/wp-content\/uploads\/2022\/07\/Anuario21-website.jpg\",\r\n \"_1024\": \"http:\/\/oinstituto.pt\/wp-content\/uploads\/2022\/07\/Anuario21-website-1024x683.jpg\",\r\n \"_768\": \"http:\/\/oinstituto.pt\/wp-content\/uploads\/2022\/07\/Anuario21-website-768x512.jpg\",\r\n \"_512\": \"http:\/\/oinstituto.pt\/wp-content\/uploads\/2022\/07\/Anuario21-website-512x341.jpg\",\r\n \"_265\": \"http:\/\/oinstituto.pt\/wp-content\/uploads\/2022\/07\/Anuario21-website-265x177.jpg\"\r\n },\r\n \"w\": 1200,\r\n \"h\": 800,\r\n \"ar\": 0.6666666666666666,\r\n \"alt\": \"\"\r\n },\r\n {\r\n \"type\": \"stack\",\r\n \"cont\": [\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Anu\u00e1rio\u201921 \u00e9 o terceiro volume da s\u00e9rie anual do INSTITUTO, que capta um ano de produ\u00e7\u00e3o e reflex\u00e3o cultural no Porto. Apesar dos desafios cont\u00ednuos da pandemia, o programa ampliou o seu alcance, promovendo trocas entre arquitetura, arte, investiga\u00e7\u00e3o e pr\u00e1ticas comunit\u00e1rias.
O livro documenta interven\u00e7\u00f5es que esbateram as fronteiras entre interior e exterior: desde workshops que transformaram \u00e1reas abandonadas em espa\u00e7os p\u00fablicos partilhados, at\u00e9 a\u00e7\u00f5es art\u00edsticas na fachada do INSTITUTO que desafiaram o patrim\u00f3nio arquitet\u00f3nico e questionaram o tecido constru\u00eddo da cidade. Outros projetos estenderam este di\u00e1logo \u00e0s ruas, reinventando casas devolutas e criando espa\u00e7os de ref\u00fagio para formas de vida habitualmente ignoradas.
A mem\u00f3ria foi outro tema central. As contribui\u00e7\u00f5es refletiram sobre o habitar informal em Luanda, exploraram legados coloniais e examinaram as interse\u00e7\u00f5es entre ra\u00e7a, habita\u00e7\u00e3o e geografias perif\u00e9ricas em Portugal. Debates e trabalhos de arquivo evidenciaram como reflex\u00f5es cr\u00edticas sobre o passado podem reformular a compreens\u00e3o do presente.
Manter pontes \u00e0 dist\u00e2ncia continuou a ser essencial: o INSTITUTO coorganizou o Arquiteturas Film Festival, acolheu ciclos de cinema angolano e abriu espa\u00e7o a novas perspetivas curatoriais. Em conjunto, estas iniciativas sublinham o papel do INSTITUTO como um lugar onde a arquitetura e as artes convergem para questionar, documentar e imaginar novos futuros urbanos.<\/p>\",\r\n \"align\": \"top\",\r\n \"row\": -1,\r\n \"col\": 0,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 758\r\n }\r\n ],\r\n \"align\": \"top\",\r\n \"row\": 17,\r\n \"col\": 6,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 12,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"http:\/\/oinstituto.pt\/wp-content\/uploads\/2025\/10\/yellow.jpg\",\r\n \"align\": \"top\",\r\n \"row\": 18,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 751,\r\n \"attid\": 1740,\r\n \"sizes\": {\r\n \"full\": \"http:\/\/oinstituto.pt\/wp-content\/uploads\/2025\/10\/yellow.jpg\",\r\n \"_1280\": \"http:\/\/oinstituto.pt\/wp-content\/uploads\/2025\/10\/yellow-1280x853.jpg\",\r\n \"_1024\": \"http:\/\/oinstituto.pt\/wp-content\/uploads\/2025\/10\/yellow-1024x683.jpg\",\r\n \"_768\": \"http:\/\/oinstituto.pt\/wp-content\/uploads\/2025\/10\/yellow-768x512.jpg\",\r\n \"_512\": \"http:\/\/oinstituto.pt\/wp-content\/uploads\/2025\/10\/yellow-512x341.jpg\",\r\n \"_265\": \"http:\/\/oinstituto.pt\/wp-content\/uploads\/2025\/10\/yellow-265x177.jpg\"\r\n },\r\n \"w\": 1800,\r\n \"h\": 1200,\r\n \"ar\": 0.6666666666666666,\r\n \"alt\": \"\",\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Editora: INSTITUTO
Editor: Paulo Moreira
Contribuidores: Ana Rita Alves, Bruno de Almeida, Catarina de Almeida Brito, InterStruct Collective, INSTITUTO, Julia Str\u00f6mland, Kitty Furtado, Paulo Moreira, RAMPA, Sofia Mourato, Tiago Antero, Toni Ehrhardt, Underdogs
Design: Pedro Ponciano
L\u00edngua: Portuguese \/ English
Formato: 128 p\u00e1ginas, 14,8 x 21,0 cm
Data: 2022
ISBN: 978-989-54539-3-1<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 19,\r\n \"col\": 0,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 30,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

CORPOS, FRAGMENTOS & LUGARES<\/strong><\/p>\",\r\n \"align\": \"bottom\",\r\n \"row\": 21,\r\n \"col\": 2,\r\n \"colspan\": 8,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 2,\r\n \"relid\": 35,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"stack\",\r\n \"cont\": [\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"http:\/\/oinstituto.pt\/wp-content\/uploads\/2021\/01\/Anuario20-Capa.jpg\",\r\n \"align\": \"top\",\r\n \"row\": -1,\r\n \"col\": 0,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 6207,\r\n \"attid\": 517,\r\n \"sizes\": {\r\n \"full\": \"http:\/\/oinstituto.pt\/wp-content\/uploads\/2021\/01\/Anuario20-Capa.jpg\",\r\n \"_1280\": \"http:\/\/oinstituto.pt\/wp-content\/uploads\/2021\/01\/Anuario20-Capa-1280x853.jpg\",\r\n \"_1024\": \"http:\/\/oinstituto.pt\/wp-content\/uploads\/2021\/01\/Anuario20-Capa-1024x683.jpg\",\r\n \"_768\": \"http:\/\/oinstituto.pt\/wp-content\/uploads\/2021\/01\/Anuario20-Capa-768x512.jpg\",\r\n \"_512\": \"http:\/\/oinstituto.pt\/wp-content\/uploads\/2021\/01\/Anuario20-Capa-512x341.jpg\",\r\n \"_265\": \"http:\/\/oinstituto.pt\/wp-content\/uploads\/2021\/01\/Anuario20-Capa-265x177.jpg\"\r\n },\r\n \"w\": 1800,\r\n \"h\": 1200,\r\n \"ar\": 0.6666666666666666,\r\n \"alt\": \"\"\r\n }\r\n ],\r\n \"align\": \"top\",\r\n \"row\": 22,\r\n \"col\": 0,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 5642,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"stack\",\r\n \"cont\": [\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Anu\u00e1rio'20 \u00e9 o segundo volume da s\u00e9rie anual do INSTITUTO, documentando eventos culturais e colabora\u00e7\u00f5es no Porto durante um ano profundamente marcado pela pandemia da Covid-19. Estruturado em tr\u00eas cap\u00edtulos \u2013 Corpos, Fragmentos, Lugares \u2013 o livro d\u00e1 continuidade \u00e0 miss\u00e3o do INSTITUTO de promover a experimenta\u00e7\u00e3o nas interse\u00e7\u00f5es entre arquitetura, arte e pr\u00e1tica cultural. Paradoxalmente, 2020 foi tamb\u00e9m um ano de crescimento. O INSTITUTO formalizou a sua estrutura como organiza\u00e7\u00e3o sem fins lucrativos, obteve o seu primeiro financiamento atrav\u00e9s do programa Criat\u00f3rio e refor\u00e7ou parcerias e estrat\u00e9gias de comunica\u00e7\u00e3o essenciais \u00e0 sua resili\u00eancia.
Corpos interroga a representa\u00e7\u00e3o e a diversidade na sociedade portuguesa, expondo desigualdades e questionando memoriais, monumentos e a presen\u00e7a de corpos racializados no espa\u00e7o p\u00fablico. Fragmentos foca-se em observa\u00e7\u00f5es \u00e0 escala reduzida, desde explora\u00e7\u00f5es de terrenos vazios at\u00e9 di\u00e1logos com desenhos de arquivo, refletindo sobre vest\u00edgios do legado industrial portugu\u00eas. Lugares destaca geografias negligenciadas: habita\u00e7\u00e3o social em Braga, tabernas de Lisboa, paisagens transformadoras do Equador e a Pra\u00e7a do Kinaxixi em Luanda.
Em conjunto, estas contribui\u00e7\u00f5es mostram como a arte e a arquitetura podem envolver-se criticamente com corpos, fragmentos e lugares esquecidos em tempos de disrup\u00e7\u00e3o, refor\u00e7ando o papel do INSTITUTO como plataforma de reflex\u00e3o cultural e pr\u00e1tica interdisciplinar.<\/p>\",\r\n \"align\": \"top\",\r\n \"row\": -1,\r\n \"col\": 0,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 9\r\n }\r\n ],\r\n \"align\": \"top\",\r\n \"row\": 22,\r\n \"col\": 6,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 6,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"http:\/\/oinstituto.pt\/wp-content\/uploads\/2021\/01\/Anuario20-Conteudo.jpg\",\r\n \"align\": \"top\",\r\n \"row\": 23,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 1004,\r\n \"attid\": 518,\r\n \"sizes\": {\r\n \"full\": \"http:\/\/oinstituto.pt\/wp-content\/uploads\/2021\/01\/Anuario20-Conteudo.jpg\",\r\n \"_1280\": \"http:\/\/oinstituto.pt\/wp-content\/uploads\/2021\/01\/Anuario20-Conteudo-1280x853.jpg\",\r\n \"_1024\": \"http:\/\/oinstituto.pt\/wp-content\/uploads\/2021\/01\/Anuario20-Conteudo-1024x683.jpg\",\r\n \"_768\": \"http:\/\/oinstituto.pt\/wp-content\/uploads\/2021\/01\/Anuario20-Conteudo-768x512.jpg\",\r\n \"_512\": \"http:\/\/oinstituto.pt\/wp-content\/uploads\/2021\/01\/Anuario20-Conteudo-512x341.jpg\",\r\n \"_265\": \"http:\/\/oinstituto.pt\/wp-content\/uploads\/2021\/01\/Anuario20-Conteudo-265x177.jpg\"\r\n },\r\n \"w\": 1800,\r\n \"h\": 1200,\r\n \"ar\": 0.6666666666666666,\r\n \"alt\": \"\",\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Editora: INSTITUTO
Editor: Paulo Moreira
Contribuidores: aapA, Coletivo Lab.25, Corpo Atelier, Filipe Magalh\u00e3es, Frame Colectivo, Frederico Vicente, InterStruct Collective, Isabel G\u00f3mez, Kiluanji Kia Henda, Nuno M. Sousa, Pamina Sebasti\u00e3o, Space Transcribers, Tiago Castela, Tomas Spicer.
Design: Pedro Ponciano, Margarida Olo, Rui Magalh\u00e3es
L\u00edngua: Portuguese \/ English
<\/span>Formato: 128 p\u00e1ginas, 14,8 x 21,0 cm
Data: 2021
ISBN: 978-989-54539-2-4<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 24,\r\n \"col\": 0,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 32\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

DISCUTIR, PARTILHAR, ENFRENTAR & ESCAPAR<\/strong><\/p>\",\r\n \"align\": \"bottom\",\r\n \"row\": 26,\r\n \"col\": 2,\r\n \"colspan\": 8,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 2,\r\n \"relid\": 36,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"http:\/\/oinstituto.pt\/wp-content\/uploads\/2020\/04\/INSTITUTO-ANUARIO01.jpg\",\r\n \"align\": \"top\",\r\n \"row\": 27,\r\n \"col\": 0,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 8667,\r\n \"attid\": 86,\r\n \"sizes\": {\r\n \"full\": \"http:\/\/oinstituto.pt\/wp-content\/uploads\/2020\/04\/INSTITUTO-ANUARIO01.jpg\",\r\n \"_1280\": \"http:\/\/oinstituto.pt\/wp-content\/uploads\/2020\/04\/INSTITUTO-ANUARIO01-1280x853.jpg\",\r\n \"_1024\": \"http:\/\/oinstituto.pt\/wp-content\/uploads\/2020\/04\/INSTITUTO-ANUARIO01-1024x683.jpg\",\r\n \"_768\": \"http:\/\/oinstituto.pt\/wp-content\/uploads\/2020\/04\/INSTITUTO-ANUARIO01-768x512.jpg\",\r\n \"_512\": \"http:\/\/oinstituto.pt\/wp-content\/uploads\/2020\/04\/INSTITUTO-ANUARIO01-512x341.jpg\",\r\n \"_265\": \"http:\/\/oinstituto.pt\/wp-content\/uploads\/2020\/04\/INSTITUTO-ANUARIO01-265x177.jpg\"\r\n },\r\n \"w\": 1920,\r\n \"h\": 1280,\r\n \"ar\": 0.6666666666666666,\r\n \"alt\": \"\",\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Anu\u00e1rio\u201919 \u00e9 o primeiro volume da s\u00e9rie anual do INSTITUTO, que regista os eventos e atividades deste espa\u00e7o cultural no Porto dedicado \u00e0 arquitetura, \u00e0s artes e \u00e0 troca interdisciplinar. Em vez de apresentar conclus\u00f5es definitivas, o livro acolhe ideias inacabadas e especula\u00e7\u00f5es coletivas, imaginando possibilidades para o futuro.
Estruturado em quatro cap\u00edtulos, re\u00fane pr\u00e1ticas e perspetivas diversas. Discutir Cidades & Territ\u00f3rios reflete sobre din\u00e2micas urbanas e territoriais, tanto locais como globais, desde contextos informais at\u00e9 transforma\u00e7\u00f5es costeiras. Partilhar Arquiteturas e Pr\u00e1ticas Espaciais apresenta ateliers e autores emergentes de v\u00e1rias disciplinas, destacando projetos de pequena escala, experi\u00eancias de viagem e vis\u00f5es especulativas. Enfrentar o Social & Pol\u00edtico aborda quest\u00f5es urgentes como as altera\u00e7\u00f5es clim\u00e1ticas, a migra\u00e7\u00e3o e a gentrifica\u00e7\u00e3o, atrav\u00e9s de exposi\u00e7\u00f5es e interven\u00e7\u00f5es cr\u00edticas. Por fim, Escapar da Institui\u00e7\u00e3o sublinha o car\u00e1ter informal e independente do INSTITUTO, oferecendo uma plataforma a grupos acad\u00e9micos e coletivos para sa\u00edrem dos contextos convencionais e explorarem abordagens colaborativas e experimentais.Tendo como pano de fundo um armaz\u00e9m reabilitado no centro hist\u00f3rico do Porto, este primeiro Yearbook documenta como o INSTITUTO se afirmou como ponto de encontro para a reflex\u00e3o, a experimenta\u00e7\u00e3o e a produ\u00e7\u00e3o cultural al\u00e9m-fronteiras.<\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 27,\r\n \"col\": 6,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 4\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"http:\/\/oinstituto.pt\/wp-content\/uploads\/2025\/10\/grey.jpg\",\r\n \"align\": \"top\",\r\n \"row\": 28,\r\n \"col\": 0,\r\n \"colspan\": 12,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 1513,\r\n \"attid\": 1741,\r\n \"sizes\": {\r\n \"full\": \"http:\/\/oinstituto.pt\/wp-content\/uploads\/2025\/10\/grey.jpg\",\r\n \"_1920\": \"http:\/\/oinstituto.pt\/wp-content\/uploads\/2025\/10\/grey-1920x1280.jpg\",\r\n \"_1280\": \"http:\/\/oinstituto.pt\/wp-content\/uploads\/2025\/10\/grey-1280x853.jpg\",\r\n \"_1024\": \"http:\/\/oinstituto.pt\/wp-content\/uploads\/2025\/10\/grey-1024x683.jpg\",\r\n \"_768\": \"http:\/\/oinstituto.pt\/wp-content\/uploads\/2025\/10\/grey-768x512.jpg\",\r\n \"_512\": \"http:\/\/oinstituto.pt\/wp-content\/uploads\/2025\/10\/grey-512x341.jpg\",\r\n \"_265\": \"http:\/\/oinstituto.pt\/wp-content\/uploads\/2025\/10\/grey-265x177.jpg\"\r\n },\r\n \"w\": 2250,\r\n \"h\": 1500,\r\n \"ar\": 0.6666666666666666,\r\n \"alt\": \"\",\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Editora: INSTITUTO
Editor: Paulo Moreira
Contribuidores:
<\/span>COCI studio, Colectivos Pl\u00e1ka, D\u00e9dalo, Frederico Vicente, Ibiye Camp, Izabel Barboni, Joana Azevedo, Jo\u00e3o Gameiro, Jos\u00e9 Guerra, Jos\u00e9 Lobo Almeida, Marina Otero Verzier, Miguel Janu\u00e1rio, oitoo, Paulo Moreira, Paulo Palma, Still I Rise, Teresa Justo Santos
Design: Pedro Ponciano
L\u00edngua: Portuguese \/ English
<\/span>Formato: 14.8 x 21.0 cm
Data: 2020
ISBN: 978-989-54539-1-7<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 29,\r\n \"col\": 0,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 33\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

VENDA
Um exemplar Anu\u00e1rio<\/p>

Portugal 12\u20ac\u00a0
Europa 16\u20ac\u00a0
World 20\u20ac
(portes gr\u00e1tis)<\/span><\/p>

Paypal<\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 31,\r\n \"col\": 0,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 1635\r\n },\r\n {\r\n \"type\": \"stack\",\r\n \"cont\": [\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Anuario'19
SOLD OUT<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": -1,\r\n \"col\": 0,\r\n \"colspan\": 3,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 2,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 17\r\n },\r\n {\r\n \"type\": \"html\",\r\n \"cont\": \"\\r\\n \\r\\n \\r\\n \\r\\n
Anu\u00e1rio'19 \/ Yearbook'19<\/td><\/tr>
\\r\\n \\r\\n \\\"\\\"\\r\\n <\/form>\",\r\n \"align\": \"top\",\r\n \"row\": -1,\r\n \"col\": 0,\r\n \"colspan\": 3,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 1636\r\n }\r\n ],\r\n \"align\": \"top\",\r\n \"row\": 32,\r\n \"col\": 0,\r\n \"colspan\": 3,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 16\r\n },\r\n {\r\n \"type\": \"stack\",\r\n \"cont\": [\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Anu\u00e1rio'20
SOLD OUT<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": -1,\r\n \"col\": 0,\r\n \"colspan\": 3,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 2,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 18\r\n },\r\n {\r\n \"type\": \"html\",\r\n \"cont\": \" \\n \\n \\n \\n
Anu\u00e1rio'20 \/ Yearbook'20<\/td><\/tr>
\\n \\n \\\"\\\"\\n <\/form>\",\r\n \"align\": \"top\",\r\n \"row\": -1,\r\n \"col\": 0,\r\n \"colspan\": 3,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 8\r\n }\r\n ],\r\n \"align\": \"top\",\r\n \"row\": 32,\r\n \"col\": 3,\r\n \"colspan\": 3,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 15,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"stack\",\r\n \"cont\": [\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Anu\u00e1rio'21
SOLD OUT<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": -1,\r\n \"col\": 0,\r\n \"colspan\": 3,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 2,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 19\r\n },\r\n {\r\n \"type\": \"html\",\r\n \"cont\": \" \\n \\n \\n \\n
Anu\u00e1rio'21 \/ Yearbook'21<\/td><\/tr>
\\n \\n \\\"\\\"\\n <\/form>\",\r\n \"align\": \"top\",\r\n \"row\": -1,\r\n \"col\": 0,\r\n \"colspan\": 3,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 13\r\n }\r\n ],\r\n \"align\": \"top\",\r\n \"row\": 32,\r\n \"col\": 6,\r\n \"colspan\": 3,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 14,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Transfer\u00eancia
IBAN: PT50 0035 0196 00029745 530 14
BIC\/SWIFT: CGDIPTPL<\/span><\/p>

MB WAY
+351 936 677 636<\/span><\/p>

Enviar comprovativo e morada para: info@oinstituto.pt<\/a><\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 32,\r\n \"col\": 9,\r\n \"colspan\": 3,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 1637\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

S\u00d3 FACHADA<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 34,\r\n \"col\": 3,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 3,\r\n \"relid\": 7\r\n },\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"http:\/\/oinstituto.pt\/wp-content\/uploads\/2022\/07\/1_6ec2738a-9c65-4b9c-8a4a-a2bf3dd3ccbf_2048x2048.webp\",\r\n \"align\": \"top\",\r\n \"row\": 35,\r\n \"col\": 0,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 752,\r\n \"attid\": 955,\r\n \"sizes\": {\r\n \"full\": \"http:\/\/oinstituto.pt\/wp-content\/uploads\/2022\/07\/1_6ec2738a-9c65-4b9c-8a4a-a2bf3dd3ccbf_2048x2048.webp\",\r\n \"_1280\": \"http:\/\/oinstituto.pt\/wp-content\/uploads\/2022\/07\/1_6ec2738a-9c65-4b9c-8a4a-a2bf3dd3ccbf_2048x2048-1280x849.webp\",\r\n \"_1024\": \"http:\/\/oinstituto.pt\/wp-content\/uploads\/2022\/07\/1_6ec2738a-9c65-4b9c-8a4a-a2bf3dd3ccbf_2048x2048-1024x679.webp\",\r\n \"_768\": \"http:\/\/oinstituto.pt\/wp-content\/uploads\/2022\/07\/1_6ec2738a-9c65-4b9c-8a4a-a2bf3dd3ccbf_2048x2048-768x510.webp\",\r\n \"_512\": \"http:\/\/oinstituto.pt\/wp-content\/uploads\/2022\/07\/1_6ec2738a-9c65-4b9c-8a4a-a2bf3dd3ccbf_2048x2048-512x340.webp\",\r\n \"_265\": \"http:\/\/oinstituto.pt\/wp-content\/uploads\/2022\/07\/1_6ec2738a-9c65-4b9c-8a4a-a2bf3dd3ccbf_2048x2048-265x176.webp\"\r\n },\r\n \"w\": 1658,\r\n \"h\": 1100,\r\n \"ar\": 0.6634499396863691,\r\n \"alt\": \"\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

\\\"S\u00f3 Fachada\\\" \u00e9 um projeto em parceria com Underdogs Gallery que surgiu da vontade de explorar as realidades contrastantes da cidade, propondo a transforma\u00e7\u00e3o de um edif\u00edcio semidevoluto numa galeria inversa, a c\u00e9u-aberto e \u00e0 varanda. Sob a curadoria da Underdogs, de Pauline Foessel e Alexandre Farto (VHILS), os artistas Kruella d'Enfer,\u00b1MAISMENOS\u00b1 e Berru foram convidados a fazer resid\u00eancias art\u00edsticas e produzir interven\u00e7\u00f5es tempor\u00e1rias na fachada do edif\u00edcio. Culminou <\/span>com o lan\u00e7amento deste livro que documenta os processos de reflex\u00e3o e o pensamento cr\u00edtico que foram parte integrante da sua realiza\u00e7\u00e3o.<\/span><\/p>

\u00a0<\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 35,\r\n \"col\": 6,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 753\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

VENDA
Um exemplar S\u00f3 Fachada<\/p>

Portugal 25\u20ac\u00a0
Europa 29\u20ac\u00a0
World 33\u20ac
(portes gr\u00e1tis)<\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 36,\r\n \"col\": 0,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 755,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"stack\",\r\n \"cont\": [\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Paypal<\/p>\",\r\n \"align\": \"top\",\r\n \"row\": -1,\r\n \"col\": 0,\r\n \"colspan\": 2,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 2,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 22\r\n },\r\n {\r\n \"type\": \"html\",\r\n \"cont\": \" \\n \\n \\n \\n
S\u00f3 Fachada<\/td><\/tr>
\\n \\n \\\"\\\"\\n <\/form>\",\r\n \"align\": \"top\",\r\n \"row\": -1,\r\n \"col\": 0,\r\n \"colspan\": 3,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 756\r\n }\r\n ],\r\n \"align\": \"top\",\r\n \"row\": 37,\r\n \"col\": 0,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 20\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

Transfer\u00eancia
IBAN: PT50 0035 0196 00029745 530 14
BIC\/SWIFT: CGDIPTPL<\/span><\/p>

MB WAY
+351 936 677 636<\/span><\/p>

Enviar comprovativo e morada para: info@oinstituto.pt<\/a><\/span><\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 37,\r\n \"col\": 6,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 754,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"stack\",\r\n \"cont\": [\r\n {\r\n \"type\": \"img\",\r\n \"cont\": \"\/wp-content\/uploads\/2020\/07\/INSTITUTO_Anuario19_02.jpg\",\r\n \"align\": \"middle\",\r\n \"row\": -1,\r\n \"col\": 0,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 1627,\r\n \"attid\": 309,\r\n \"sizes\": {\r\n \"full\": \"\/wp-content\/uploads\/2020\/07\/INSTITUTO_Anuario19_02.jpg\",\r\n \"_1280\": \"\/wp-content\/uploads\/2020\/07\/INSTITUTO_Anuario19_02-1280x853.jpg\",\r\n \"_1024\": \"\/wp-content\/uploads\/2020\/07\/INSTITUTO_Anuario19_02-1024x683.jpg\",\r\n \"_768\": \"\/wp-content\/uploads\/2020\/07\/INSTITUTO_Anuario19_02-768x512.jpg\",\r\n \"_512\": \"\/wp-content\/uploads\/2020\/07\/INSTITUTO_Anuario19_02-512x341.jpg\",\r\n \"_265\": \"\/wp-content\/uploads\/2020\/07\/INSTITUTO_Anuario19_02-265x177.jpg\"\r\n },\r\n \"w\": 1800,\r\n \"h\": 1200,\r\n \"ar\": 0.6666666666666666,\r\n \"alt\": \"\"\r\n }\r\n ],\r\n \"align\": \"top\",\r\n \"row\": 38,\r\n \"col\": 0,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 10,\r\n \"frameOverflow\": \"\"\r\n },\r\n {\r\n \"type\": \"text\",\r\n \"cont\": \"

O INSTITUTO \u00e9 um projecto independente. Como entidade sem fins lucrativos, dependemos significativamente de apoios individuais e institucionais para continuar a desenvolver projectos e atividades culturais.<\/p>

O Anu\u00e1rio\u201919 \u00e9 um meio essencial para continuarmos a divulgar e promover a experimenta\u00e7\u00e3o e a investiga\u00e7\u00e3o entre a arquitectura, as artes e seus cruzamentos disciplinares.<\/p>\",\r\n \"align\": \"top\",\r\n \"row\": 38,\r\n \"col\": 6,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 1631\r\n }\r\n ]\r\n}","phonegrid":"","_links":{"self":[{"href":"https:\/\/oinstituto.pt\/pt\/wp-json\/wp\/v2\/pages\/413","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/oinstituto.pt\/pt\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/oinstituto.pt\/pt\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/oinstituto.pt\/pt\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/oinstituto.pt\/pt\/wp-json\/wp\/v2\/comments?post=413"}],"version-history":[{"count":0,"href":"https:\/\/oinstituto.pt\/pt\/wp-json\/wp\/v2\/pages\/413\/revisions"}],"wp:attachment":[{"href":"https:\/\/oinstituto.pt\/pt\/wp-json\/wp\/v2\/media?parent=413"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}