{"id":1031,"date":"2023-04-28T11:16:44","date_gmt":"2023-04-28T11:16:44","guid":{"rendered":"https:\/\/oinstituto.pt\/?p=1031"},"modified":"2026-04-10T16:40:52","modified_gmt":"2026-04-10T16:40:52","slug":"building-an-archive-exploring-photographic-archiving-practices-through-kota-50s-collection","status":"publish","type":"post","link":"https:\/\/oinstituto.pt\/pt\/building-an-archive-exploring-photographic-archiving-practices-through-kota-50s-collection\/","title":{"rendered":"Construir um Arquivo"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":1039,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[6,15],"tags":[],"class_list":["post-1031","post","type-post","status-publish","has-post-thumbnail","hentry","category-workshop","category-residency"],"grid":"{\r\n  \"colCount\": 12,\r\n  \"colGutter\": 2,\r\n  \"rowGutters\": [],\r\n  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Including talks and practical sessions, the course was aimed at professionals in the multidisciplinary areas of visual arts, photography and archiving, who were keen to enhance their knowledge of photography. <\/span><\/p><p><span>Paulo Moreira gave an in-depth presentation of the history and context of the \u2018Kota 50\u2019 archive; In\u00eas Ponte addressed concepts relating to archiving, analogue and digital inventory management, and principles of photographic digitisation; Fernando Penim Redondo spoke about twentieth-century analogue cameras and reels, presenting his own photography work at the same time; Paulo Pimenta presented his work as a photojournalist and explained the implications of the genre for photographic practice, and Ivo Tavares described the role of digital technology in image post-production. The project also included an artistic residency by artist Lino Dami\u00e3o, who explored the potential of artistic creation using analogue photography archives. The participants followed a series of modules, which reflected on different dimensions of photographic culture, spanning analogue and digital formats. <\/span><\/p><p>Hosting and processing the Kota 50 archive is an ongoing project at INSTITUTO, as part of a line of work focusing on the relationship between Portugal and Angola that will continue to be explored, acknowledging the potential for archival research to cast light on the history of photography and on photography-based artistic and archiving practices.<\/p><p>Coordination: Paulo Moreira, In\u00eas Ponte<br \/>Workshop: Ivo Tavares, Lino Dami\u00e3o<br \/>Conferences: Fernando Penim, Paulo Pimenta<br \/>Residency: Lino Dami\u00e3o<\/p><p><span>Support:<\/span> Dire\u00e7\u00e3o-Geral das Artes\/Minist\u00e9rio da Cultura e Criat\u00f3rio, \u00c1gora \u2013 Cultura e Desporto, E.M.<\/p>\",\r\n          \"align\": \"middle\",\r\n          \"row\": -1,\r\n          \"col\": 0,\r\n          \"colspan\": 6,\r\n          \"offsetx\": 0,\r\n          \"offsety\": 0,\r\n          \"spaceabove\": 0,\r\n          \"spacebelow\": 0,\r\n          \"yvel\": 1,\r\n          \"push\": 0,\r\n          \"relid\": 849\r\n        },\r\n        {\r\n          \"type\": \"img\",\r\n          \"cont\": \"http:\/\/oinstituto.pt\/wp-content\/uploads\/2022\/06\/logo_gartes-1-e1683044687458.png\",\r\n          \"align\": \"bottom\",\r\n          \"row\": -1,\r\n          \"col\": 0,\r\n          \"colspan\": 3,\r\n          \"offsetx\": 0,\r\n          \"offsety\": 0,\r\n          \"spaceabove\": 1.6,\r\n          \"spacebelow\": 0,\r\n          \"yvel\": 1,\r\n          \"push\": 0,\r\n          \"relid\": 1077,\r\n          \"attid\": 1057,\r\n          \"sizes\": {\r\n            \"full\": \"http:\/\/oinstituto.pt\/wp-content\/uploads\/2022\/06\/logo_gartes-1-e1683044687458.png\",\r\n            \"_1280\": \"http:\/\/oinstituto.pt\/wp-content\/uploads\/2022\/06\/logo_gartes-1-1280x1280.png\",\r\n            \"_1024\": \"http:\/\/oinstituto.pt\/wp-content\/uploads\/2022\/06\/logo_gartes-1-e1683044687458-1024x249.png\",\r\n            \"_768\": \"http:\/\/oinstituto.pt\/wp-content\/uploads\/2022\/06\/logo_gartes-1-e1683044687458-768x187.png\",\r\n            \"_512\": \"http:\/\/oinstituto.pt\/wp-content\/uploads\/2022\/06\/logo_gartes-1-e1683044687458-512x125.png\",\r\n            \"_265\": \"http:\/\/oinstituto.pt\/wp-content\/uploads\/2022\/06\/logo_gartes-1-e1683044687458-265x64.png\"\r\n          },\r\n          \"w\": 1196,\r\n          \"h\": 291,\r\n          \"ar\": 0.24331103678929766,\r\n          \"alt\": \"\"\r\n        }\r\n      ],\r\n      \"align\": \"top\",\r\n      \"row\": 0,\r\n      \"col\": 6,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 848,\r\n      \"frameOverflow\": \"\"\r\n    }\r\n  ]\r\n}","phonegrid":"","_links":{"self":[{"href":"https:\/\/oinstituto.pt\/pt\/wp-json\/wp\/v2\/posts\/1031","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/oinstituto.pt\/pt\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/oinstituto.pt\/pt\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/oinstituto.pt\/pt\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/oinstituto.pt\/pt\/wp-json\/wp\/v2\/comments?post=1031"}],"version-history":[{"count":0,"href":"https:\/\/oinstituto.pt\/pt\/wp-json\/wp\/v2\/posts\/1031\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/oinstituto.pt\/pt\/wp-json\/wp\/v2\/media\/1039"}],"wp:attachment":[{"href":"https:\/\/oinstituto.pt\/pt\/wp-json\/wp\/v2\/media?parent=1031"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/oinstituto.pt\/pt\/wp-json\/wp\/v2\/categories?post=1031"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/oinstituto.pt\/pt\/wp-json\/wp\/v2\/tags?post=1031"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}