{"id":1667,"date":"2025-01-23T12:02:11","date_gmt":"2024-03-06T15:52:19","guid":{"rendered":"https:\/\/oinstituto.pt\/dancing-architects-2024-2\/"},"modified":"2025-10-08T16:49:50","modified_gmt":"2025-10-08T16:49:50","slug":"jardim-crioulo-2024","status":"publish","type":"post","link":"https:\/\/oinstituto.pt\/pt\/jardim-crioulo-2024\/","title":{"rendered":"Jardim Crioulo – Processo"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":1673,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[7,5],"tags":[],"class_list":["post-1667","post","type-post","status-publish","has-post-thumbnail","hentry","category-exhibition","category-programme"],"grid":"{\r\n \"colCount\": 12,\r\n \"colGutter\": 2,\r\n \"rowGutters\": [],\r\n \"frameMargin\": 2,\r\n \"topFrameMargin\": 17,\r\n \"bottomFrameMargin\": 2,\r\n \"rowAttrs\": [\r\n {}\r\n ],\r\n \"bgColor\": 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Jardim Crioulo - Processo
03-31.10.2024<\/p>

A exposi\u00e7\u00e3o \u201cJardim Crioulo - Processo\u201d oferece uma vis\u00e3o \u00fanica sobre a conce\u00e7\u00e3o e desenvolvimento do projeto expositivo de \u201cGreenhouse\u201d, representa\u00e7\u00e3o portuguesa na 60.\u00aa Exposi\u00e7\u00e3o Internacional de Arte \u2013 La Biennale di Venezia 2024, com curadoria M\u00f3nica de Miranda, V\u00e2nia Gala e S\u00f3nia Vaz Borges. O projeto \u201cGreenhouse\u201d define-se a partir de quatro a\u00e7\u00f5es: Jardim (Instala\u00e7\u00e3o, Espa\u00e7o, Tempo); Arquivo Vivo (Som, Movimento, Performance), Escola (Educa\u00e7\u00e3o, Hist\u00f3ria, Revolu\u00e7\u00e3o); Assembleias (P\u00fablico, Comunidades e Publica\u00e7\u00e3o).
Esta exposi\u00e7\u00e3o aborda um dos aspectos do projeto: o processo de cria\u00e7\u00e3o de um jardim crioulo, refer\u00eancia \u00e0s hortas criadas por pessoas escravizadas como ato de resist\u00eancia e sobreviv\u00eancia \u2013 uma ant\u00edtese \u00e0 planta\u00e7\u00e3o monocultural. Em Veneza, o jardim acolhe uma instala\u00e7\u00e3o sonora, esculturas, dan\u00e7a\/performance, oficinas, leituras e eventos participativos. Uma equipa interdisciplinar colaborou com as artistas e com paulo moreira architectures no desenho e execu\u00e7\u00e3o de objetos escult\u00f3ricos e jardins vivos, no interior do Palazzo Franchetti, entre 20 de abril e 24 de novembro de 2024. As estruturas do jardim crioulo s\u00e3o formadas por m\u00f3dulos, que permitem a inser\u00e7\u00e3o de vegeta\u00e7\u00e3o natural. Cria-se uma fam\u00edlia de objetos escult\u00f3ricos com configura\u00e7\u00f5es, escalas e formas diversas, que servem de palco para as ativa\u00e7\u00f5es do programa de \u201cGreenhouse\u201d.
A presente exposi\u00e7\u00e3o d\u00e1 a conhecer materiais in\u00e9ditos sobre o processo de cria\u00e7\u00e3o e execu\u00e7\u00e3o do projeto expositivo, incluindo maquetes de estudo, esbo\u00e7os, desenhos t\u00e9cnicos, fotografias e v\u00eddeos, provenientes dos v\u00e1rios intervenientes no projeto. Estes elementos servem como ponto de partida para refletir sobre o trabalho colaborativo entre curadoria, cria\u00e7\u00e3o art\u00edstica, design expositivo, paisagismo e m\u00e9todos de produ\u00e7\u00e3o, convidando \u00e0 reflex\u00e3o sobre a import\u00e2ncia da interdisciplinaridade no campo da arte e da arquitetura.<\/p>

Participantes: Alex Kirschstein, ArtWorks, Clinica Botanica, Desisto, Dumbo Design Studio, Hangar, Ivo Tavares Studio, M\u00f3nica de Miranda Studio, paulo moreira architectures, Paulo Palma<\/p>

Parceria: Hangar\u00a0
Apoio: paulo moreira architectures, DG Artes\/Minist\u00e9rio da Cultura
Cr\u00e9ditos fotogr\u00e1ficos: Ivo Tavares Studio<\/p><\/div><\/div><\/div>\",\r\n \"align\": \"middle\",\r\n \"row\": -1,\r\n \"col\": 0,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 4\r\n }\r\n ],\r\n \"align\": \"top\",\r\n \"row\": 0,\r\n \"col\": 6,\r\n \"colspan\": 6,\r\n \"offsetx\": 0,\r\n \"offsety\": 0,\r\n \"spaceabove\": 0,\r\n \"spacebelow\": 0,\r\n \"yvel\": 1,\r\n \"push\": 0,\r\n \"relid\": 6\r\n }\r\n ]\r\n}","phonegrid":"","_links":{"self":[{"href":"https:\/\/oinstituto.pt\/pt\/wp-json\/wp\/v2\/posts\/1667","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/oinstituto.pt\/pt\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/oinstituto.pt\/pt\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/oinstituto.pt\/pt\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/oinstituto.pt\/pt\/wp-json\/wp\/v2\/comments?post=1667"}],"version-history":[{"count":0,"href":"https:\/\/oinstituto.pt\/pt\/wp-json\/wp\/v2\/posts\/1667\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/oinstituto.pt\/pt\/wp-json\/wp\/v2\/media\/1673"}],"wp:attachment":[{"href":"https:\/\/oinstituto.pt\/pt\/wp-json\/wp\/v2\/media?parent=1667"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/oinstituto.pt\/pt\/wp-json\/wp\/v2\/categories?post=1667"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/oinstituto.pt\/pt\/wp-json\/wp\/v2\/tags?post=1667"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}