{"id":428,"date":"2020-09-23T15:50:29","date_gmt":"2020-06-15T12:49:57","guid":{"rendered":"http:\/\/oinstituto.pt\/pt\/?p=428"},"modified":"2022-01-19T10:23:34","modified_gmt":"2022-01-19T10:23:34","slug":"fechado","status":"publish","type":"post","link":"https:\/\/oinstituto.pt\/pt\/fechado\/","title":{"rendered":"Fechado"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":453,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[7,5],"tags":[],"class_list":["post-428","post","type-post","status-publish","has-post-thumbnail","hentry","category-exhibition","category-programme"],"grid":"{\r\n  \"colCount\": 12,\r\n  \"colGutter\": 2,\r\n  \"rowGutters\": [\r\n    2\r\n  ],\r\n  \"frameMargin\": 2,\r\n  \"topFrameMargin\": 17,\r\n  \"bottomFrameMargin\": 2,\r\n  \"rowAttrs\": [\r\n    {},\r\n    {}\r\n  ],\r\n  \"bgColor\": null,\r\n  \"cont\": [\r\n    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Vieitas<\/span><\/p><p><span style=\\\"font-weight: 400;\\\">O INSTITUTO acolheu um conjunto de sess\u00f5es do espect\u00e1culo FECHADO da Associa\u00e7\u00e3o Caracol de Corrida, um microteatro apresentado por Daniela Vieitas.<\/span><\/p><p><span style=\\\"font-weight: 400;\\\">FECHADO<br \/><\/span><span style=\\\"font-weight: 400;\\\">Num v\u00e3o de escadas, uma inquiridora, ao servi\u00e7o de uma entidade desconhecida, pede, e <\/span><span style=\\\"font-weight: 400;\\\">agradece, a participa\u00e7\u00e3o num estudo sobre a Mem\u00f3ria da Cidade.<br \/><\/span><span style=\\\"font-weight: 400;\\\">A rela\u00e7\u00e3o estabelece-se. A inquiridora, talvez actriz e o inquirido, talvez p\u00fablico. <\/span><span style=\\\"font-weight: 400;\\\">O inqu\u00e9rito deixa-se misturar por pequenas est\u00f3rias de tempos passados e pr\u00f3ximos. Tempos <\/span><span style=\\\"font-weight: 400;\\\">antes da Liberdade. Deixar de aprender com a mem\u00f3ria dos lugares, pode gerar tempos <\/span><span style=\\\"font-weight: 400;\\\">repetidos e n\u00e3o desejados: \u201cPensa que poder\u00e1 voltar a acontecer?\u201d. H\u00e1 quem diga que \u201cnem <\/span><span style=\\\"font-weight: 400;\\\">pensar\u201d, h\u00e1 quem diga \u201csim, tenho medo que sim\u201d.<\/span><\/p><p><span style=\\\"font-weight: 400;\\\">DANIELA VIEITAS<br \/><\/span><span style=\\\"font-weight: 400;\\\">Actriz, entre Portugal e Angola, procura um Teatro que provoque as pessoas, que as fa\u00e7a ser <\/span><span style=\\\"font-weight: 400;\\\">parte, que acorde o lado inquieto de cada um e cada uma. Um Teatro que tem espa\u00e7o na vida <\/span><span style=\\\"font-weight: 400;\\\">porque n\u00e3o termina no espa\u00e7o c\u00e9nico, mas segue no sentimento e no pensamento. \u00c9 <\/span><span style=\\\"font-weight: 400;\\\">microteatro, \u00e9 invis\u00edvel, mas \u00e9, sobretudo, Teatro. <\/span><span style=\\\"font-weight: 400;\\\">Estudou no Porto, no Balleteatro e trabalhou com encenadores como L\u00edgia Roque, Graeme <\/span><span style=\\\"font-weight: 400;\\\">Pulleyn, Jos\u00e9 Carretas, Jo Roets, Steve Johnston e outros. Colaborou com o Teatro do <\/span><span style=\\\"font-weight: 400;\\\">Montemuro e com o teatro Ao Largo. \u00c9 membro da Associa\u00e7\u00e3o Caracol de Corrida, que se <\/span><span style=\\\"font-weight: 400;\\\">dedica ao Teatro, Literatura e Artes Visuais.<\/span><\/p><p><span style=\\\"font-weight: 400;\\\">Fotos:<\/span><span style=\\\"font-weight: 400;\\\"><br \/><\/span><span style=\\\"font-weight: 400;\\\">Franco Atsoc<\/span><\/p>\",\r\n          \"align\": \"middle\",\r\n          \"row\": -1,\r\n          \"col\": 0,\r\n          \"colspan\": 6,\r\n          \"offsetx\": 0,\r\n          \"offsety\": 0,\r\n          \"spaceabove\": 0,\r\n          \"spacebelow\": 0,\r\n          \"yvel\": 1,\r\n          \"push\": 0,\r\n          \"relid\": 4\r\n        }\r\n      ],\r\n      \"align\": \"top\",\r\n      \"row\": 0,\r\n      \"col\": 6,\r\n      \"colspan\": 6,\r\n      \"offsetx\": 0,\r\n      \"offsety\": 0,\r\n      \"spaceabove\": 0,\r\n      \"spacebelow\": 0,\r\n      \"yvel\": 1,\r\n      \"push\": 0,\r\n      \"relid\": 6\r\n    }\r\n  ]\r\n}","phonegrid":"","_links":{"self":[{"href":"https:\/\/oinstituto.pt\/pt\/wp-json\/wp\/v2\/posts\/428","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/oinstituto.pt\/pt\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/oinstituto.pt\/pt\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/oinstituto.pt\/pt\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/oinstituto.pt\/pt\/wp-json\/wp\/v2\/comments?post=428"}],"version-history":[{"count":0,"href":"https:\/\/oinstituto.pt\/pt\/wp-json\/wp\/v2\/posts\/428\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/oinstituto.pt\/pt\/wp-json\/wp\/v2\/media\/453"}],"wp:attachment":[{"href":"https:\/\/oinstituto.pt\/pt\/wp-json\/wp\/v2\/media?parent=428"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/oinstituto.pt\/pt\/wp-json\/wp\/v2\/categories?post=428"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/oinstituto.pt\/pt\/wp-json\/wp\/v2\/tags?post=428"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}