{"id":562,"date":"2021-07-01T11:42:07","date_gmt":"2020-06-15T12:49:57","guid":{"rendered":"http:\/\/oinstituto.pt\/pt\/?p=562"},"modified":"2025-10-08T16:10:06","modified_gmt":"2025-10-08T16:10:06","slug":"kino-yetu","status":"publish","type":"post","link":"https:\/\/oinstituto.pt\/pt\/kino-yetu\/","title":{"rendered":"KinoYetu"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":570,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[29,8,5],"tags":[],"class_list":["post-562","post","type-post","status-publish","has-post-thumbnail","hentry","category-anuario21","category-talks","category-programme"],"grid":"{\r\n \"colCount\": 12,\r\n \"colGutter\": 2,\r\n \"rowGutters\": [],\r\n \"frameMargin\": 2,\r\n \"topFrameMargin\": 17,\r\n \"bottomFrameMargin\": 2,\r\n \"rowAttrs\": [\r\n {}\r\n ],\r\n \"bgColor\": null,\r\n \"cont\": [\r\n {\r\n \"type\": 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KinoYetu apresenta: <\/span>
<\/span>Ciclo de Cinema P\u00f3s-Colonial<\/span>
<\/span>12 - 22.05.2021<\/span><\/p>

Curadoria: <\/span>
<\/span>Ana Cristina Pereira<\/span><\/p>

Co-organiza\u00e7\u00e3o: <\/span>
<\/span>KinoYetu<\/span><\/p>

Os filmes escolhidos para esta pequena mostra obedecem a dois crit\u00e9rios. O primeiro relaciona-se com a vontade de dar a conhecer aspectos das culturas africanas raramente tornados vis\u00edveis pelas not\u00edcias veiculadas na comunica\u00e7\u00e3o social. Cada um a seu modo, estes filmes revelam artistas e a sua arte, mas tamb\u00e9m as formas como se organizam para a cria\u00e7\u00e3o, circula\u00e7\u00e3o e consumo dos bens produzidos. A sele\u00e7\u00e3o responde de uma forma muito particular \u00e0 designa\u00e7\u00e3o \u2018p\u00f3s-colonial\u2019 que foi proposta pela Associa\u00e7\u00e3o KinoYetu, um projeto de fomento \u00e0 cria\u00e7\u00e3o, produ\u00e7\u00e3o e divulga\u00e7\u00e3o de filmes africanos. O conjunto de obras aqui propostas constitui-se p\u00f3s-colonial, n\u00e3o apenas porque revela facetas de sociedades que foram colonizadas e que preservam marcas dessa coloniza\u00e7\u00e3o, mas principalmente porque cont\u00e9m e ultrapassa rela\u00e7\u00f5es entre identidades e alteridades nascidas durante o colonialismo.<\/span><\/p>

Neste ciclo veremos: \u201cAlma ta Fika\u201d de um cineasta portugu\u00eas citado quase 30 anos mais tarde em \u201cKm\u00ea Deus\u201d por um cabo-verdiano; depois, \u201cM\u00e3os de Barro\u201d de um cineasta brasileiro, radicado em Mo\u00e7ambique desde meados dos anos 1970; e finalmente \u201cLuanda, a F\u00e1brica da M\u00fasica\u201d, uma obra de uma cineasta portuguesa e de um cineasta angolano.<\/span><\/p>

Programa<\/span><\/p>

12 de Maio \u2013 Cabo Verde<\/span>
<\/span>com Ana Cristina Pereira e Jo\u00e3o Sodr\u00e9<\/span>
<\/span>- Alma ta Fika (1989) de Jo\u00e3o Sodr\u00e9, 60\u2019. RTP, Vermedia, RTBF, Euroceation, Saga Filme, Cinefilme. Document\u00e1rio<\/span>
<\/span>- Km\u00ea Deus<\/span> (2020) Nuno Miranda, 53\u2019. Pedro Soul\u00e9. Document\u00e1rio<\/span><\/p>

17 de maio \u2013 Mo\u00e7ambique<\/span>
<\/span>com Ana Cristina Pereira<\/span>
<\/span>- M\u00e3os de Barro, (2006) de Licinio Azevedo, 47\u2019. Lx Filmes, \u00c9bano Multim\u00e9dia. Document\u00e1rio.<\/span><\/p>

\u00a022 de maio \u2013 Angola<\/span>
<\/span>com Ana Cristina Pereira<\/span>
<\/span>- Luanda, a F\u00e1brica da M\u00fasica, (2009) de In\u00eas Gon\u00e7alves e Kiluanje Liberdade, 54\u2019. No Land Films. Document\u00e1rio.<\/span><\/p>

Apoio: <\/span>
<\/span>\u00c1gora - Cultura e Desporto, E.M.<\/span><\/p>

Fotografias:<\/span>
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